Showing posts with label Edgar Allan Poe. Show all posts
Showing posts with label Edgar Allan Poe. Show all posts

November 16, 2014

Cuentos de Edgar Allan Poe

1848 Daguerreotype of Edgar Allan Poe at 39, a...
1848 Daguerreotype of Edgar Allan Poe at 39, a year before his death (Photo credit: Wikipedia)


Para completar la lista de Book Riot tenía que leer los cuentos de Poe, ingenuamente pensé que los 29 incluidos en el "The Portable Edgar Allan Poe" de Penguin books y algunos más que he leído en distintas épocas de mi vida eran casi la totalidad de la obra de Poe, pero al conseguir una edición de los cuentos completos me percaté de lo errada que estaba pues contenía más de sesenta relatos por le que decidí leer todos los que me faltaban.

Definitivamente Poe sabía cómo captar la atención del lector y como lograr “poner los pelos de punta” con algunas de sus narraciones.  Mis favoritas incluyen “La Verdad sobre el caso del Sr. Valdemar”, “El Gato Negro”, “El corazón delator” y “La máscara de la Muerte Roja”. De sus poemas me fascinan “El cuervo” y “Anabel Lee”.

Generalmente asociamos a Poe con historias de terror, pero de hecho “Los crímenes de la Rue Morgue” sobre una de las aventuras del detective c. Auguste Dupin es considerada como una de las primeras historias de detectives. Quien lea las historias sobre este detective encontrará varias similitudes con el Sr. Holmes de Doyle o mejor dicho quien lea a Holmes encontrará similitudes con Dupin puesto que en cierta forma Poe creo los parámetros para los detectives en la literatura.  Por supuesto, cabe recalcar que Sherlock Holmes tiene su origen en uno de los  profesores de Doyle no en las historias de Dupin. Evidenciando su trascendencia en la literatura, también en su obra encontramos algunas de ciencia ficción. Aunque estas últimas no crean en mi la misma fascinación que las otras y llegan incluso a aburrirme con todas las explicaciones científicas de cómo llegaron los personajes al momento que inicia la narración.

Cada que leo (o re-leo) mis cuentos y poemas favoritos de Poe, me asombra la maestria con la que están escritos porducto de lo cual es que el paso del tiempo no logre que ni él ni su obra caigan en el olvido.

January 29, 2013

Annabel Lee

Today I'm in a strange mood not really sad but I can't say I'm happy. And in this mood I read strange things, so I decided I would share a poem by Edgar Allan Poe. For me this poem talks about a love that transcends even death and also about obsession.

ANNABEL LEE
It was many and many a year ago,
In a kingdom by the sea,
That a maiden lived whom you may know
By the name of Annabel Lee;—
And this maiden she lived with no other thought
Than to love and be loved by me.

She was a child and I was a child,
In this kingdom by the sea,
But we loved with a love that was more than love—
I and my Annabel Lee—
With a love that the wingéd seraphs of Heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud by night
Chilling my Annabel Lee;
So that her high-born kinsmen came
And bore her away from me,
To shut her up, in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in Heaven,
Went envying her and me:—
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud, chilling
And killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we—
Of many far wiser than we—
And neither the angels in Heaven above
Nor the demons down under the sea
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:—

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I see the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride
In her sepulchre there by the sea—
In her tomb by the side of the sea.

August 24, 2012

The Raven

One of my favorite of Poe's work is The Raven which, up until now, I had never read in Spanish. I must confess that I like the original much more than the translation, I believe something gets lost when translating. So I proceed to transcribe the original poem here as you can find in the book The Portable Poe (which you can find in this link provided in my coursera class).

THE RAVEN

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“ ’Tis some visiter,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
 For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“ ’Tis some visiter entreating entrance at my chamber door—
Some late visiter entreating entrance at my chamber door;—
This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
 That I scarce was sure I heard you”—here I opened wide the door;
— Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
 And the only word there spoken was the whispered word,  “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
’Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
 Ghastly grim and ancient raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore.’ ”

But the raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamplight gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose faint foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore; 
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
 On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!

****



Hawthorne & Poe

Esta semana me toca leer  4 historias cortas de Hawthorne y 3 poemas y  unas cuantas historias de Poe.
Poe es uno de mis autores favoritos y he leido muchas de sus obras, pero es la primera vez que leo algo de Nathaniel Hawthorne y hasta el momento, las historias que he leido me han gustado bastante y las encuentro muy similares en estilo a Poe
Edgar Allan Poe
Nathaniel Hawthorne



Nuevo blog

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